Wednesday, July 24, 2013

Riding in Cars with Boys



In high school, my friends and I thoroughly enjoyed skipping class in favor of driving off campus. We weren’t usually up to anything too nefarious, but leaving the panoptic gaze of school was exhilarating. Usually the goal was to eat food that wasn’t from the cafeteria or to smoke cigarettes in someone’s garage. On one occasion, we were sitting and eating lunch at a Chinese buffet on Westerly Parkway and the entire administrative team from the school showed up to eat lunch at a booth across from us. Somehow we weren’t busted. On another occasion, we went to get ice cream at Meyer’s Dairy during Doc Arnold’s science class. We were in John’s SUV and he had a car phone, which was a pretty big deal back in the day. In an act of hubris/stupidity we called the very classroom where we were supposed to be and asked the teacher if he wanted anything. (This was back when classrooms had landlines). While angry, Arnold never ratted us out, probably because he was remarkably inappropriate towards the teenaged girls in the class and did not want any undue attention to come his way. Seriously, that guy said some things that probably should have gotten him fired and/or imprisoned.

On a particularly beautiful autumnal afternoon, Andrew and I decided that we were going to go driving in the mountains instead of attending our afternoon classes. We drove up past Bear Meadows and wended our way around the Seven Mountains. At a certain point, Andrew’s 1978 Corolla (the first car in which I ever experienced 100 MPH) stopped functioning correctly. In a wonderfully poetic move, the orange Toyota would drive perfectly well on flat terrain, but would stall as it tried to go up hills. We were, of course, several mountains away from home and deep inside the Pennsylvania woods. Anyway, we ended up getting the car to a random stranger’s house (always a great idea for high-school students), and asked to use her phone. Our first call was to my girlfriend at the time. She laughed at the prospect of picking us up, and probably believed us to be getting our just deserts. The second car was to Brian, who had a ’64 Mustang and was more than happy to come retrieve us. However, he was delayed in arriving, and I started to understand that I was fucked. My parents would be arriving home soon, and I was miles away in the middle of the woods. I ended up calling my dad to come get me; he was not impressed and did not speak on the forty-five minute ride home. As punishment, I had to forfeit a super-long band trip to Punxsutawney, which in retrospect seems like a pretty nominal penalty. However, at the time it was devastating because of the unsupervised nature of bus trips and the fact that I had a girlfriend (albeit one unwilling to drive deep into the woods to a random stranger’s house to pick up a truant sixteen-year-old, which seems perfectly reasonable now that I’m writing it). 

 (An Orange 1978 Corolla like Andrew used to have).

I had and have a certain nostalgia for those woods, and try to go back there whenever I return to PA, which is rare these days. In any case, on one such return trip when I was around twenty, I was driving around those mountain roads in my 1987 Plymouth Caravelle (The Eight-Seven). I never took a map while exploring because all of the roads ended up somewhere. On this particular trip, I ran into a dead end in the woods. It was like a big cul-de-sac but with nothing but woods in every direction. There were come cars parked there, so I figured it was a trailhead or something along those lines. A guy was asking something and moving towards my car, and I rolled down the window. I assumed he was looking for directions or whatever. He seemed to be mumbling, but I didn’t think much of it until he got extremely close and could hear that he was saying “blow job.” Once I deciphered his words, I immediately left the area and made my way out of the woods. However, the encounter created more questions than it answered. Was this a scenario that involved payment for services rendered, or was it a reciprocal agreement? Was I in a spot where such things were common, or was he just taking a shot in the dark? I left before I could find out, so I don’t really have a satisfying end to this story—except for the fact that I’m alive and did not have to give/get a blow job from an old creepy guy in the middle of the woods in Pennsylvania. 


An '87 Plymouth Caravelle. 

Tuesday, July 2, 2013

June Media Journal



Feuer, Jane. Seeing Through the Eighties: Television and Reaganism. Durham, NC. Duke, 1995.
Veruca Salt. American Thighs. Geffen Records, 1994.
The Hangover Part III. Dir. Todd Phillips.  Green Hat Films, 2013.
Swinging with the Finkels. Dir. Jonathan Newman. Filmaka.com, 2011.
Social Distortion. Social Distortion. Sony Music, 1990.
Mitchell, Joni. Blue. Reprise Records, 1971.
True Blood [Season 5]. Creator Alan Ball. Your Face Goes Here Entertainment, 2012.
Al Madrigal: Why is the Rabbit Crying? Dir. Marcus Raboy. Pupcake Productions, 2013.
The Firm. The Firm. Atlantic Records, 1985.
Alberti, John, Ed. Leaving Springfield: The Simpsons and the Possibility of Oppositional Culture. Detroit, MI: Wayne State University Press, 2004.
Yashere, Gina. Flappers Comedy Club. Burbank, CA. 7 June.
McCabe, Janet & Mark Lawson, eds. Reading Six Feet Under: TV to Die For. London: I. B. Tauris Publishers, 2005.
Sepinwall, Alan. The Revolution was Televised: The Cops, Crooks, Slingers and Slayers who Changed TV Drama Forever. [Self-Published], 2012.
The Law. The Law. Atlantic Records, 1991.
Koepsell, David R. and Robert Art, eds. Breaking Bad and Philosophy: Badder Living through Chemistry. Chicago, IL. Open Court Publishing, 2012.
Radiohead. Itch. EMI, 1994.
This is the End. Dirs. Evan Goldberg & Seth Rogan. Columbia Pictures, 2013.
Loeb, Lisa. No Fairy Tale. 429 Records, 2013.
Richard Pryor: Omit the Logic. Dir. Marina Zenovich. Fresh One Productions, 2013.
Syrup. Dir. Aram Rappaport. Lila 9th Productions, 2013.
Chalk. Dir. Mike Akel. SomeDaySoon Productions, 2006.
Isbell, Jason. Southeastern. Southeastern Records, 2013.
Bickford Shmeckler’s Cool Ideas. Dir. Scott Lew. Depth of Field, 2006.
Bottle Rockets. Brooklyn Side. East Side Digital, 1994.
Lehman, Peter and Susan Hunt. Lady Chatterley’s Legacy in the Movies: Sex, Brains, and Body Guys. New Brunswick, NJ. Rutgers University Press, 2010.
The Bling Ring. Dir. Sophia Coppola.  American Zoetrope, 2013.
The Incredible Burt Wonderstone. Dir. Don Scardino. New Line Cinema, 2013.
Olson, Mark and the Creekdippers. December’s Child. Dualtone Music Group, 2002.
Radiohead. Comlag: 2+2=5. Capitol Records, 2004.
Leverette, Marc, Brian L. Ott, & Cara Louise Buckley, Eds. It’s Not TV: Watching HBO in the Post-Television Era. New York: Routledge, 2008.
Mandela and de Klerk. Dir. Joseph Sargent. Film Afrika Worldwide, 1997.
Dave Foley: Relatively Well. New Wave Entertainment, 2013.